ARTE Distribution

This documentary explores the iconic Johnny Depp roles, from Edward Scissorhands to Donnie Brasco and Jack Sparrow. What is behind this intriguing Hollywood star?

Perhaps because the actor's life seems straight out of a movie where death, love, drugs, motels, palaces, Marlon Brando and Iggy Pop are all part of the ensemble. These multiple layers, sometimes contradictory, are found in his most iconic interpretations: often poetic and always offbeat anti-heroes: genuine American anomalies.

This documentary series tells the story of intimate and tumultuous love stories in the context of art history. With Amedao Modigliani and Jeanne Hébuterne, Lee Miller and Man Ray or Gerda Taro and Robert Capa.

Love story is an excuse to narrate the lives of artists, their neuroses and narcissism, and to confront them to their alter ego, the other, their double.
Each of the couples of this collection answers the same questions: is love compatible with creation? Can artists reveal themselves through romantic passion? Does love bring a renewed energy to Art?

Takeshi Kitano is an international icon. We know the actor, the multi-award-winning filmmaker, but many ignore his double personality: the crazy TV star, the street kid from Tokyo close to the Yakuza, and the political satirist who blasted taboos!

Can we dream of a better guide to introduce us to the cultural history of Japan?

First woman to have won the Best Director Oscar, obsessed with the violence that underlies all of her cinematic work, Kathryn Bigelow's portrait also tells a story of violence in the United States.

"I've always seen violence as political. I see it as a power strategy" Kathryn Bigelow is right. That' s the way it is, death is cinematic.
The atmosphere is getting tense in the United States. Violence is on the rise. Up until now, it was present on screen. Now it seems to be overflowing, invading reality. One filmmaker has seen this phenomenon before others. Whether we like it or not, Hollywood remains our dream machine. And when we take a closer look, the vast majority of the stories that these blockbusters tell us are made of violence: crime, torture, war, rape and murder, which populate these imagination machines.

Rosa Bonheur, the animal painter adulated in France in the XIXth century, often forgotten in her country, is nevertheless a major figure of the female emancipation and of the animal cause.

The reopening of the cold case of Jim Morrison's death... Was it a heart attack? A CIA plot? An overdose? With exclusive interviews, we discover the truth about the artists' mysterious death.

Fifty years ago, in Paris, during the night of July 2 to 3, 1971, the body of rock star Jim Morrison was found lifeless in the bathtub of an apartment by his American girlfriend Pamela Courson. The circumstances of his death were mysterious, but it was not made public until a few days later. Heart attack? CIA plot? Overdose? The police having, strangely, not ordered any autopsy, the questions do not end up feeding the myth. Only one thing is certain, that night, Jim Morrison joined 27 Club , these libertarian idols, such as Janis Joplin, Brian Jones or Jimi Hendrix, destroyed by their excesses at the age of twenty-seven years old.

This is the portrait of a major pop artist music, and more broadly pop culture of the past 30 years. Author-singer-songwriter of Blur, mastermind behind the Gorillaz phenomenon, producer of African artists, post-modern opera composer, he is considered in the UK as a major public figure.

From Blur, Damon Albarn delivers snapshots of a British company he sees changing. Through him it is the history of England from the 90s to the present day before us.

He is the only actor in the history of cinema to have won three Oscars. Known for the dramatic intensity of his roles – which are as striking as they are diverse (aristocrat, petty thug, outcast or criminal) – for directors such as Martin Scorsese or Steven Spielberg.

He is also known as one of the most selective international actors. He has announced his intention to retire from acting after the shooting of Phantom Thread in 2017. Daniel Day-Lewis is a visceral and uncompromising actor: in just 20 films, he never stopped pushing the envelope in his performances. He had more than a sterling work ethic; he poured his blood, sweat and tears in his craft. It was a way for him to escape from a family legacy that had become too heavy to bear. This film harks back to the roots of a family mythology, in which the actor is the last hero, in spite of himself.

A portrait of Ernest Hemingway in love makes us delve into the intimacy of a man infinitely more complex than the image he liked to give. We will discover the author's relationship with each of his 4 wives, which will enable us to re-read his work with a different perspective.

Each of them corresponds to a time and a place during the author's life, allowing us to move from the bohemian Paris of the 1920s to the Florida of the 1930s, then back to Europe during World War II before discovering the Cuba of the 1950s; our story ends in Idaho, America, where Ernest Hemingway chose to kill himself at the age of 61.

Consecrated “king of horror” of modern literature, he distinguished himself in other genres such as fantasy, science fiction or detective stories. Several of his works have been adapted for cinema such as Shining by Stanley Kubrick, Dead Zone by David Cronenberg or Misery by Rob Reiner. 

What is Stephen King afraid of? "Well of everything !" says the prolix American novelist. Born in 1947 in Maine, where he still lives, he has established himself since the mid-1970s as the king of fantasy and horror, selling more than 350 million copies of his bestsellers around the world in half a century. Revitalizing the genre by playing on child terrors, his stories, rooted in today's rural America, have inspired a host of accomplished filmmakers, from Brian De Palma (Carrie) to Stanley Kubrick ( The Shining) to John Carpenter (Christine), David Cronenberg (The Dead Zone), George A. Romero (The Dark Half), or Rob Reiner (Misery).
 
Influenced in his youth by the works of Richard Matheson and the classics of fantasy (those of H. P. Lovecraft, Mary Shelley and Bram Stoker), marked as much by the arrest of a serial killer in the 1950s as by the assassination of John Fitzgerald Kennedy, this cantor of popular literature sheds light on the genesis of some of his greatest bookstore bestsellers and their adaptation, for television or cinema, through interviews gathered by Julien Dupuy in an enlightening documentary portrait. Between two film extracts, Stephen King confides in it his childhood memories - the figure of the father, who abandoned him and his mother when he was 2 years old -, his impecunious youth in a small town in Maine, his work methods, but also his struggle against his inner demons (alcohol addiction in especially), his defiance of machines, whose revolt he staged in Maximum Overdrive, his only film as a director, or his philanthropic support for libraries to enable the greatest number of people to have access to books.
 
Long despised by literary critics, it has since won several prestigious awards such as the National Book Award.

Anthony Perkin’s face and name remain familiar to a younger 21st century audience, fond of Giallo and slashers. But he has long struggled in the shadow of his most famous character, Norman Bater – the seria killer in Alfred Hitschcock’s masterpiece, “Psycho”.

Officially presented as the most exciting new star since James Dean on the poster of “Friendly Persuasion”, Anthony Perkins has attracted the attention of such prestigious filmmakers as George Cukor, William Wyler, Stanley Kramer, Anthony Mann, Robert Mulligan, Jules Dassin, René Clément, Claude Chabrol, John Huston, Ken Russell, Sidney Lumet and Orson Welles. And the list of his co-stars does not pale in comparison, with names such as Gary Cooper, Brigitte Bardot, Audrey Hepburn, Henry Fonda, Sophia Loren, Gregory Peck, Jane Fonda, Marlene Jobert, Paul Newman and Roger Moore. His filmography ended up being rather impressive for an actor who was so abusively reduced to his only role for Alfred Hitchcock. We also discover that he was an amazing crooner.
His greatest success, “Moonlight Swim”, will be taken up by Elvis Presley. He even directed “Psycho III” – proof of his reconciliation with his favorite bogeyman.

Presenting the first deep fake documentary, starring Isaac Asimov, the father of science fiction. He anticipated robots and electronics invading our homes as well as overpopulation.

Our film presents the theories of a man who, yesterday, saw what science is bringing to us today.
With over 500 publications to his name, from the 50’s to the 80’s, he had anticipated computers and electronic gadgets invading the household, autonomous vehicles and man’s withdrawal from nature. Science fiction and anticipation stories have never been as popular as today. It inspires literature, drama series, films, even politics and the military. As the world we live in faces an unprecedented technological acceleration, we are more concerned than ever by the issue of our future.